|
“The
Aquarian Music and Arts Festival"
|
 |
|
“3
Days of Peace, Love and Music”
|
|
“Yasgur’s
Farm”
|
| |
| |
|
| |

|
|
An
ending…or a new beginning?
No
one has the right to tell another what to do with the property he owns
---
But when the wheels of progress and the development it promises, threatens
property that holds historic, social, and cultural value, “average citizens”
have the right to be involved, voice concerns and opinions, work towards
mitigating plans, and offer alternatives -
in an attempt to preserve these irreplaceable landmarks.
We showed that it is possible to work towards the protection of such
properties without financial backing or legal counsel, and it can be
accomplished by “us”, the ordinary people - committed and determined - to
preserve places of global historic importance.
|
The
property, in this case, is owned by Alan Gerry; a wealthy, influential local
area businessman, with a vision to create a venue that will contribute to the
revitalization of rural Sullivan County NY.
He owns 1400 acres of land in Bethel, NY, which includes the 38-acre
parcel known worldwide, as the original Woodstock Site.
The plans for the development of this land promise great financial and
economic growth for a much needed area, and the importance of this project is
supported at the highest levels of State
government. It has been a difficult road, as we found ourselves up
against a well beloved local philanthropist , with the audacity to question his
plans for the 38-acre piece of history that sits in the center of that land. We
could not stand back - as the promise for Bethel Woods Center for the Arts, also
included the destruction of this 20th century icon.
We,
the Woodstock Preservationists, put forth our best efforts to impress upon the
decision makers how important, the Woodstock Site is - left untouched, in its
unaltered state. This is a global landmark, and Bethel’s draw. A site
visited by thousands each year from around the world.
The destruction of these 38-acres would be a tragic loss of a piece of
Americana and a detriment to the success of Bethel Woods.
We strived for the realization of co-existence - the “original”
Woodstock Site (bowl and upper plateau) housed within Bethel Woods, making such
a venue nothing less than legendary.

-
We stood as strangers before the Town of Bethel and it's government, to voice
our concerns. We brought with us
the view of outsiders, from literally across the globe – to once again impress
upon the locality that they must weigh the plausible expectations of visiting
patrons to this new venue, and whether the final appearance of the site will
indeed be congruous with those historic and sentimental expectations.
We presented valid alternatives which would prevent the destruction of a
true legacy and provide the insurance for the fruition of another, and we
struggled to make it seen by the people of Bethel, the importance of what they
hold.
-
We sought the help of the National Trust for Historic Places, and submitted an
application to have the Site nominated as one of America’s Most Endangered
Places, in an effort to bring about attention.
-
We were willing to assume responsibility and move forward with the process of
listing the Woodstock Site on our National Register of Historic Places, needing
only the support and permission of Mr. Gerry for us to proceed.
-
We authored “A Cause for
Preservation” which addressed the historic preservation issues, and submitted
this document to all local/state government/agencies.
As potential consultants, we intended this to be our case file when
presenting at the federal review.

“We”
were only a few people, who followed every avenue and means available to us, but
faced with an insurmountable road block when federal support was declined,
closing a loophole that would have legally required our input into the
development plans, and thus bringing our mission to an abrupt end.
On one hand, we could have easily seen this as a failure to complete our
ultimate goal of one hundred percent non-development on the Woodstock site. We
are realistic and having it all or nothing would only serve to diminish the hard
work we put forth. Ultimately, and with some certainty, our efforts and pressure
contributed to the downsizing of the development plans for Bethel Woods by 90
percent. That meant that we were successful in realizing a 90 percent
historically preserved Woodstock festival site. So-called progress can have 10
percent if it means that 90 percent will remain true for generations to come.
We feel that our mission was not in vain, and we’re honored and
privileged to have been involved in the efforts to preserve this piece of
history.
Bethel
Woods Center for the Arts, is coming at a very high price. Initially
stated to be a $40 million project, including $15 million in state funding, the
cost rose to $43 million, and then to $47 million.
Subsequently in 2004, after the announced downsizing of the project - the
cost grew to $63 million and climbed to $80 million in 2005..
|
"Day in the Garden" concerts, sponsored by Gerry
Foundation and GF Entertainment, were held in 1998 (pictured) and
1999. The stage area will be kept ready and periodically will be
used for festival events of up to 30,000 people. |

|
|

|
 |
|
The plateau above the "concert bowl", originally
slated to house a 400,000 sq. foot complex, although encroaching on
the property will now house a scaled down, more fitting
Interpretive Centre/ museum, and events sheds. |
|
|
|
|
|
|
|
|
Courtesy of Bethel Woods Center
for the Arts |
|
The
original Woodstock Site is an irreplaceable piece of modern American and global
history. An icon to a generation, and monument
to peace. It is priceless.
38-acres of value and significance that could never be measured in
dollars - just as the altering and destruction to all of this unique global
landmark would have never been undone. Fortunately, the little people were loud,
persistent, and unwavering in conviction. This landmark is your legacy and
belongs to you – no matter whose name is on the deed. We have always supported
the idea of bringing arts and music back to this land and have always wished
nothing but the best for the new Bethel Woods Center for the Arts. Despite new
permanent structures on and around this green place, Woodstock was not allowed
to fade away through modern complacency. In the true spirit of “power to the
people”, enough of the original site will remain so that generations will come
to understand the facts, fiction, legend, mythology, and general power of what
is “Woodstock”.
|